[et_pb_section fb_built=\u00bb1″ fullwidth=\u00bbon\u00bb disabled_on=\u00bboff|off|off\u00bb admin_label=\u00bbHero\u00bb _builder_version=\u00bb3.22″ background_color=\u00bb#1f1f1f\u00bb parallax=\u00bbon\u00bb custom_padding=\u00bb|||\u00bb transparent_background=\u00bbon\u00bb][et_pb_fullwidth_header title=\u00bbProgramas\u00bb text_orientation=\u00bbcenter\u00bb background_overlay_color=\u00bbrgba(31,31,31,0.65)\u00bb subhead_font_color=\u00bb#bebebe\u00bb _builder_version=\u00bb4.8.1″ title_font=\u00bbIM Fell English|700|||||||\u00bb title_text_color=\u00bb#ffffff\u00bb title_font_size=\u00bb59px\u00bb title_line_height=\u00bb1.3em\u00bb content_font=\u00bbMontserrat||||\u00bb content_text_color=\u00bb#bfbfbf\u00bb content_font_size=\u00bb19px\u00bb content_line_height=\u00bb1.8em\u00bb subhead_font=\u00bbMontserrat||||\u00bb subhead_text_color=\u00bb#bebebe\u00bb subhead_line_height=\u00bb1.8em\u00bb background_color=\u00bbrgba(255, 255, 255, 0)\u00bb background_image=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2021\/03\/programas-e1615115938110.jpg\u00bb custom_padding=\u00bb5%|0px|6%|||\u00bb animation_style=\u00bbzoom\u00bb animation_duration=\u00bb1500ms\u00bb animation_intensity_zoom=\u00bb4%\u00bb title_line_height_last_edited=\u00bboff|desktop\u00bb button_one_text_size__hover_enabled=\u00bboff\u00bb button_two_text_size__hover_enabled=\u00bboff\u00bb button_one_text_color__hover_enabled=\u00bboff\u00bb button_two_text_color__hover_enabled=\u00bboff\u00bb button_one_border_width__hover_enabled=\u00bboff\u00bb button_two_border_width__hover_enabled=\u00bboff\u00bb button_one_border_color__hover_enabled=\u00bboff\u00bb button_two_border_color__hover_enabled=\u00bboff\u00bb button_one_border_radius__hover_enabled=\u00bboff\u00bb button_two_border_radius__hover_enabled=\u00bboff\u00bb button_one_letter_spacing__hover_enabled=\u00bboff\u00bb button_two_letter_spacing__hover_enabled=\u00bboff\u00bb button_one_bg_color__hover_enabled=\u00bboff\u00bb button_two_bg_color__hover_enabled=\u00bboff\u00bb][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbrgba(255,255,255,0.35)\u00bb background_image=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2021\/02\/paperboard-yellow-texture-scaled-e1614265228923.jpg\u00bb background_blend=\u00bblighten\u00bb custom_padding=\u00bb61px|0px||||\u00bb][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f9e4aa\u00bb custom_margin=\u00bb|auto|21px|auto||\u00bb custom_padding=\u00bb3px||4px|||\u00bb hover_enabled=\u00bb0″ sticky_enabled=\u00bb0″][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2021\/03\/Iberia-Resonat-e1615371372998.jpg\u00bb _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|true\u00bb custom_padding=\u00bb30px|30px|30px|30px|false|true\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbIM Fell English||||||||\u00bb text_font_size=\u00bb15px\u00bb header_2_font=\u00bbIM Fell English||||||||\u00bb header_3_font=\u00bbIM Fell English|600|||||||\u00bb background_enable_color=\u00bboff\u00bb min_height=\u00bb144px\u00bb custom_margin=\u00bb0px|0px|0px|-4px|false|false\u00bb custom_padding=\u00bb32px|30px|32px|30px|true|true\u00bb]<\/p>\n
<\/span><\/p>\n The programme <\/span>I<\/b>beria <\/b>R<\/b>esonat<\/b> Iberia Resonat commemorates the fifth centenary of the first circumnavigation of the globe (1519-1521). <\/span>Iberia is resonating<\/span><\/i> because five centuries ago our peninsula led a movement of expansion and communication between countries all over the Earth. It was the beginning of a cultural, social and economic process which has resulted in what today we call <\/span>globalisation.<\/span><\/i>.\u00a0<\/span><\/p>\n Works are lovingly and historically selected from the songbooks of Paris, Elv\u00e1s, Lisbon, Bel\u00e9m, Uppsala and la Colombina. Five centuries later, these works resonate and bring us closer to the experiences in which navigators like Magellan were immersed.<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f9e4aa\u00bb custom_margin=\u00bb31px|auto|21px|auto||\u00bb custom_padding=\u00bb3px||4px|||\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2021\/03\/Beltraneja-y-Catolica-5-e1615300524682.jpg\u00bb _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|true\u00bb custom_padding=\u00bb41px|30px|35px|30px|false|true\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbIM Fell English||||||||\u00bb text_font_size=\u00bb15px\u00bb header_2_font=\u00bbIM Fell English||||||||\u00bb header_3_font=\u00bbIM Fell English|600|||||||\u00bb background_enable_color=\u00bboff\u00bb min_height=\u00bb144px\u00bb custom_margin=\u00bb0px|0px|0px|-4px|false|false\u00bb custom_padding=\u00bb34px|30px|34px|30px|true|true\u00bb]<\/p>\n <\/span><\/p>\n Two important women in Spanish politics, Juana la Beltraneja and Isabel the Catholic. Niece and aunt. Two lovers of the arts and the music of their time. As well as shedding light on Spanish history in this programme, we will hear works which tell our story.<\/p>\n The controversial and warring dispute over the throne is the storyline, supported by music, which in parallel to its action tells of two of our country\u2019s great women and great personalities.<\/p>\n Works by Fco de la Torre (c.1460\/c.1504), Joanes Ponce (c.1470\/c.1521), Pedro Hern\u00e1ndez de Tordesillas (14??\/1520), Fco Salinas (1513\/1590), Luys Narv\u00e1ez (c.1500\/1552), Juan del Encina (1468\/1529), Pedro de Escobar (1465\/1535), Fernando Contreras (1470\/1548), Carlo Verardi (c.1440\/c.1500).<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f9e4aa\u00bb custom_margin=\u00bb31px|auto|21px|auto||\u00bb custom_padding=\u00bb3px||4px|||\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2021\/03\/Del-Amor-y-la-Locura-3-copia.jpg\u00bb _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|true\u00bb custom_padding=\u00bb30px|30px|30px|30px|false|true\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbIM Fell English||||||||\u00bb text_font_size=\u00bb15px\u00bb header_2_font=\u00bbIM Fell English||||||||\u00bb header_3_font=\u00bbIM Fell English|600|||||||\u00bb background_enable_color=\u00bboff\u00bb min_height=\u00bb144px\u00bb custom_margin=\u00bb0px|0px|0px|-4px|false|false\u00bb custom_padding=\u00bb30px|30px|30px|30px|true|true\u00bb]<\/p>\n <\/span><\/p>\n It is difficult to believe that a queen whose reign lasted more than half a century, 51 years, spent 46 years of that reign locked up in a tower. It was nothing more that led Juana the 1st to this situation than the thirst for power of her father Ferdinand the Catholic, her husband Philip the Handsome and her son Charles the 5th.<\/p>\n Hexacordo wish to pay homage to this woman and to eradicate the nickname \u2018the Mad\u2019 from the first born daughter of the Catholic Kings. Reclaiming her place in history as who she was: Juana 1st of Castile.<\/p>\n Works by Carlo Verardi (c.1440\/c.1500), Fco Salinas (1513\/1590), Luys Narv\u00e1ez (c.1500\/1552), Juan del Encina (1468\/1529), Pedro de Escobar (1465\/1535), Fernando Contreras (1470\/1548), Pedro Hern\u00e1ndez de Tordesillas (14??\/1520).<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f9e4aa\u00bb custom_margin=\u00bb31px|auto|21px|auto||\u00bb custom_padding=\u00bb3px||4px|||\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2021\/03\/O-clemens-o-pia.jpg\u00bb _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|true\u00bb custom_padding=\u00bb51px|30px|30px|30px|false|true\u00bb][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbIM Fell English||||||||\u00bb text_font_size=\u00bb15px\u00bb header_2_font=\u00bbIM Fell English||||||||\u00bb header_3_font=\u00bbIM Fell English|600|||||||\u00bb background_enable_color=\u00bboff\u00bb min_height=\u00bb144px\u00bb custom_margin=\u00bb0px|0px|0px|-4px|false|false\u00bb custom_padding=\u00bb30px|30px|30px|30px|true|true\u00bb]<\/p>\n <\/span><\/p>\n The programme O Clemens o Pia O Dulcis Virgo Maria developed from the tradition approved and prescribed by Gregorio IX in 1250, to dedicate the end of the recitation of Compline prayers to the Virgin Mary with the singing of the Salve Regina.<\/p>\n The monks would sing this sequence before sleep and the friars of the Order of Preachers would sing it in procession with lighted candles. Hexacordo, recreating this tradition, bring us works in which this melody and Maria herself are the protagonists.<\/p>\n Various European composers have composed motets, sonatas, masses etc. as musical commentaries dedicated to this prayer.<\/p>\n La gran variedad conceptual sobre Mar\u00eda y la devoci\u00f3n existente en cada pa\u00eds, se ve reflejada en la diversidad de obras que interpreta Hexacordo.<\/p>\n Obras de H. I. F. von Biber (1644\/1704), C.Monteverdi (1567\/1643), G.B. Bovicelli (1550\/1594), J.H. Schmelzer (1623\/1680), A. Scarlatti (1680\/1725)<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f9e4aa\u00bb custom_margin=\u00bb31px|auto|21px|auto||\u00bb custom_padding=\u00bb3px||4px|||\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2023\/07\/mille-volte-4.jpg\u00bb _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|true\u00bb custom_padding=\u00bb51px|30px|30px|30px|false|true\u00bb hover_enabled=\u00bb0″ title_text=\u00bbmille-volte 4″ sticky_enabled=\u00bb0″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbIM Fell English||||||||\u00bb text_font_size=\u00bb15px\u00bb header_2_font=\u00bbIM Fell English||||||||\u00bb header_3_font=\u00bbIM Fell English|600|||||||\u00bb background_enable_color=\u00bboff\u00bb min_height=\u00bb144px\u00bb custom_margin=\u00bb0px|0px|0px|-4px|false|false\u00bb custom_padding=\u00bb30px|30px|30px|30px|true|true\u00bb]<\/p>\n <\/span><\/p>\n The glosa as an element of variation, and repetition as a unifying element of the concert. All the works of this programme, by eight different composers, have in common the tune of the motet \u201cAncor che col partire\u201d composed by Cipriano de Rore (1515-1565), published in Venice in 1547. Works which bring \nus close to the use of ornamentation in the Renaissance. An endless universe.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f9e4aa\u00bb custom_margin=\u00bb31px|auto|21px|auto||\u00bb custom_padding=\u00bb3px||4px|||\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2023\/07\/Nebrissensis.jpg\u00bb _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|true\u00bb custom_padding=\u00bb51px|30px|30px|30px|false|true\u00bb hover_enabled=\u00bb0″ title_text=\u00bbNebrissensis\u00bb sticky_enabled=\u00bb0″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbIM Fell English||||||||\u00bb text_font_size=\u00bb15px\u00bb header_2_font=\u00bbIM Fell English||||||||\u00bb header_3_font=\u00bbIM Fell English|600|||||||\u00bb background_enable_color=\u00bboff\u00bb min_height=\u00bb144px\u00bb custom_margin=\u00bb0px|0px|0px|-4px|false|false\u00bb custom_padding=\u00bb30px|30px|30px|30px|true|true\u00bb]<\/p>\n <\/span><\/p>\n A musical-theatrical show strung across four scenes through which we are led by Francisca de Nebrija, the cultivated daughter of the grammarian Antonio de Nebrija , which reveals the most significant moments in his life. Works which are contemporaneous with the narrative strengthen the plot with their literal content, taken from the Musical Songbook of the Palace of the Catholic Kings.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f9e4aa\u00bb custom_margin=\u00bb31px|auto|21px|auto||\u00bb custom_padding=\u00bb3px||4px|||\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2023\/07\/Angelus.jpg\u00bb _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|true\u00bb custom_padding=\u00bb51px|30px|30px|30px|false|true\u00bb hover_enabled=\u00bb0″ title_text=\u00bbAngelus\u00bb sticky_enabled=\u00bb0″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbIM Fell English||||||||\u00bb text_font_size=\u00bb15px\u00bb header_2_font=\u00bbIM Fell English||||||||\u00bb header_3_font=\u00bbIM Fell English|600|||||||\u00bb background_enable_color=\u00bboff\u00bb min_height=\u00bb144px\u00bb custom_margin=\u00bb0px|0px|0px|-4px|false|false\u00bb custom_padding=\u00bb30px|30px|30px|30px|true|true\u00bb]<\/p>\n <\/span><\/p>\n Sound paintings that bring us closer to celestial music. Lovingly and historically selected works by the first Baroque composers, Monteverdi, Kapsperger, Bovicelli, Frescobaldi, Gabrieli etc. will be played on reproductions of the instruments which appear in the hands of the angels in the paintings seen in churches, cathedrals and museums.\nFour centuries later, these works will put sound to these paintings. [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_2,1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb background_color=\u00bb#f9e4aa\u00bb custom_margin=\u00bb31px|auto|21px|auto||\u00bb custom_padding=\u00bb3px||4px|||\u00bb][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_image src=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2023\/07\/VincoloDiArmonia-fija049.jpg\u00bb _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px|0px|0px|0px|false|true\u00bb custom_padding=\u00bb51px|30px|30px|30px|false|true\u00bb hover_enabled=\u00bb0″ title_text=\u00bbVincoloDiArmonia fija049″ sticky_enabled=\u00bb0″][\/et_pb_image][\/et_pb_column][et_pb_column type=\u00bb1_2″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb][et_pb_text _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb text_font=\u00bbIM Fell English||||||||\u00bb text_font_size=\u00bb15px\u00bb header_2_font=\u00bbIM Fell English||||||||\u00bb header_3_font=\u00bbIM Fell English|600|||||||\u00bb background_enable_color=\u00bboff\u00bb min_height=\u00bb144px\u00bb custom_margin=\u00bb0px|0px|0px|-4px|false|false\u00bb custom_padding=\u00bb30px|30px|30px|30px|true|true\u00bb]<\/p>\n <\/span><\/p>\n A feeling of creation and sympathy unites three musicians beyond their professional lives. Emotions such as understanding, affection and mutual aid are born from this link of harmony. Works by Giovanni Battista Trabaci (1575-1647) Battista Bovicelli (1550-1594) Heinrich Ignaz Frank von Biber (1644-1704) Claudio Monteverdi (1567-1643)<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=\u00bb1″ fullwidth=\u00bbon\u00bb disabled_on=\u00bboff|off|off\u00bb admin_label=\u00bbHero\u00bb _builder_version=\u00bb3.22″ background_color=\u00bb#1f1f1f\u00bb parallax=\u00bbon\u00bb custom_padding=\u00bb|||\u00bb transparent_background=\u00bbon\u00bb][et_pb_fullwidth_header title=\u00bbProgramas\u00bb text_orientation=\u00bbcenter\u00bb background_overlay_color=\u00bbrgba(31,31,31,0.65)\u00bb subhead_font_color=\u00bb#bebebe\u00bb _builder_version=\u00bb4.8.1″ title_font=\u00bbIM Fell English|700|||||||\u00bb title_text_color=\u00bb#ffffff\u00bb title_font_size=\u00bb59px\u00bb title_line_height=\u00bb1.3em\u00bb content_font=\u00bbMontserrat||||\u00bb content_text_color=\u00bb#bfbfbf\u00bb content_font_size=\u00bb19px\u00bb content_line_height=\u00bb1.8em\u00bb subhead_font=\u00bbMontserrat||||\u00bb subhead_text_color=\u00bb#bebebe\u00bb subhead_line_height=\u00bb1.8em\u00bb background_color=\u00bbrgba(255, 255, 255, 0)\u00bb background_image=\u00bbhttps:\/\/manuelpascual.art\/wp-content\/uploads\/2021\/03\/programas-e1615115938110.jpg\u00bb custom_padding=\u00bb5%|0px|6%|||\u00bb animation_style=\u00bbzoom\u00bb animation_duration=\u00bb1500ms\u00bb animation_intensity_zoom=\u00bb4%\u00bb title_line_height_last_edited=\u00bboff|desktop\u00bb button_one_text_size__hover_enabled=\u00bboff\u00bb button_two_text_size__hover_enabled=\u00bboff\u00bb button_one_text_color__hover_enabled=\u00bboff\u00bb button_two_text_color__hover_enabled=\u00bboff\u00bb button_one_border_width__hover_enabled=\u00bboff\u00bb button_two_border_width__hover_enabled=\u00bboff\u00bb button_one_border_color__hover_enabled=\u00bboff\u00bb button_two_border_color__hover_enabled=\u00bboff\u00bb button_one_border_radius__hover_enabled=\u00bboff\u00bb button_two_border_radius__hover_enabled=\u00bboff\u00bb button_one_letter_spacing__hover_enabled=\u00bboff\u00bb button_two_letter_spacing__hover_enabled=\u00bboff\u00bb button_one_bg_color__hover_enabled=\u00bboff\u00bb button_two_bg_color__hover_enabled=\u00bboff\u00bb][\/et_pb_fullwidth_header][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.8.1″ _module_preset=\u00bbdefault\u00bb […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-447","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/manuelpascual.art\/en\/wp-json\/wp\/v2\/pages\/447","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/manuelpascual.art\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/manuelpascual.art\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/manuelpascual.art\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/manuelpascual.art\/en\/wp-json\/wp\/v2\/comments?post=447"}],"version-history":[{"count":21,"href":"https:\/\/manuelpascual.art\/en\/wp-json\/wp\/v2\/pages\/447\/revisions"}],"predecessor-version":[{"id":1505,"href":"https:\/\/manuelpascual.art\/en\/wp-json\/wp\/v2\/pages\/447\/revisions\/1505"}],"wp:attachment":[{"href":"https:\/\/manuelpascual.art\/en\/wp-json\/wp\/v2\/media?parent=447"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Beltraneja and Catholic<\/b><\/h2>\n
Two women. One throne.<\/h3>\n
Of Love and Madness<\/strong><\/h2>\n
When the heart rules.<\/h3>\n
Clemens o Pia O Dulcis Virgo Maria<\/strong><\/h2>\n
An all-powerful melody<\/h3>\n
Mille volte<\/strong><\/h2>\n
Over and Over Again<\/h3>\n
Musica Nebrissensis<\/strong><\/h2>\n
Francisca de Nebrija and her father the grammarian<\/h3>\n
Angelus<\/strong><\/h2>\n
When the angels play<\/h3>\n
Cuatro siglos despu\u00e9s, estas obras pondr\u00e1n sonido a esas pinturas.<\/p>\nVincolo d\u00b4armonia<\/strong><\/h2>\n
Connecting<\/h3>\n